On organizing the delivery of weapons to the workers' detachments of Crimea to fight Wrangel. The action takes place during the Bolshevik coup.

The Wrecker wrecks trains on the L & R Railroad. One of his victims is Larry Baker's father. Baker wants to find the evildoer, among a host of suspects, but it will be difficult since the Wrecker can disguise himself to look like almost anyone

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Ho’s current film installation “The Name,” is a dynamic montage of found footage taken from films created in the Western tradition featuring the motif of the romantic cult of genius to depict the act of writing as a creative, torturous process. The film then uses a voice-over to come to terms with the kind of author who completely deviates from this ideal. In creating “The Name,” Ho puts to use his ruminations and years of research into the journalistic writings of the mysterious author Gene Z. Hanrahan. Ho’s interest in the writer was sparked by the book “The Communist Struggle in Malaya,” which was published in the USA in 1954. The book is an astonishingly informative treatise about the communist struggle on the Malay Peninsula during the colonial era; further publications from Hanrahan, however, concerning guerrilla tactics in China, or “The Wild Years,” about Ernest Hemingway’s work, raise doubts about Hanrahan’s identity as an authorial subject. By citing the example of a single concrete historical case that left its traces on Malaysian historiography, Ho’s use of cinematic and artistic devices help to demonstrate the instability of the notion of authorship and originality. “The Name” forms the counterpart to Ho’s film “The Nameless,” which he originally produced for the Shanghai Biennale in 2014. Teeming with double-meanings and polysemy, this story about a triple agent in Southeast Asia could not be shown in Shanghai as a result of government censorship. It will instead be shown for the first time at the Akademie der Künste on Hanseatenweg as part of the exhibition “Forum Expanded”, known this year by the title “The Sound of the Closing Door,” to take place during the Berlin Film Festival (until Feb 15th).

Huracán is a Mexican telenovela shown in Mexico from October 13, 1997 to March 27, 1998, starring with the late Jorge Russek, Fernando Balzaretti, and Eduardo Palomo.

Two hurricane hunters track a huge, violent hurricane that is bearing down on a Gulf Coast town.

The story of the desperate love affair between a young Samoan chief and a beautiful American painter, against the will of her father, the powerful governor of the island. Amid this man-made tension comes a powerful hurricane so devastating, the lives of the lovers and the entire island are imperiled.

The story of two newly qualified nurses on their first assignment in the West Indies.

Taiwan movie

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